Salisbury House Library Collection

at Grinnell College Special Collections & Archives

New Magic Box feature: Order of the Garter

A new feature from the shelves of the Salisbury House Library Collection is on display in the Magic Box. Stop by to see The institution, laws and ceremonies of the most noble Order of the Garter. Collected by Elias Ashmole with illustrations by Wenceslaus Hollar. London: 1672.

This 1672 folio details the history of the Order of the Garter, the oldest and highest chivalric order in Britain. It features detailed illustrations of architecture of St. George’s Chapel, a location at Windsor Castle associated with the group, garb and processions of ceremonies, and more. We don’t know much about its provenance before Salisbury House–the only section with traces of a reader marking the book are in the protocol if a knight of the order loses their membership in the case of treason. Today the order includes both men and women knights appointed in recognition of national service. We pulled it for a class visiting Special Collections this semester on the legacy of Saint George and were wowed by the detail of Hollar’s illustrations.

SHLC in the Classroom: the Eliot Bible and education

This week the Reading Room hosted an education course for two sessions examining historical perspectives on US education. Material from the SHLC joined Grinnell College Special Collections and Archives material in five stations covering course themes. One of the SHLC items students worked with was a 1685 excerpt from the Eliot’s Indian Bible, a touchpoint for class material on race, assimilation, and history of education. Alongside students this week, we learned more about the history one page from the collection carries and its context in history.

A leaf from the Eliot Bible, or Mamusse wunneetupanatamwe Up-Biblum God. 2nd edition printed in Cambridge, Massachusetts. 1685. 

 Alternate titles: Algonquian Bible. Eliot’s Bible. The Indian Bible.

About the Eliot Bible  

The Eliot Indian Bible was the first bible printed in British North America. The work is a translation of the Geneva Bible into the indigenous Massachusett dialect, a branch of Algonquian language. The first edition was printed as New Testament only in 1661 and was followed in 1663 by a full translation of 66 books from the Old and New Testament.  

John Eliot (1604-1690), an English Puritan minister, arrived to the Massachusett Bay Colony in 1631. In an attempt to evangelize and convert Native Americans, he spent fourteen years learning the Massachusett language and translating the Christian Bible into a language previously unwritten. Eliot and other English collaborators are credited on title pages of early editions of the “Indian Bible”, but omit his indigenous collaborators Job Nesutan (Massachusett), John Sassamon (Massachusett), Cockenoe (Montaukett) and James Printer (Nipmuk) who assisted in his learning the language, devising a written system, and translation. James Printer was a printer’s apprentice at Samuel Green’s press where original editions were printed.  

About the second edition  

Many first editions of Eliot’s translations were lost during the destruction of King Philip’s War (1675-1676) which decimated the indigenous population of southern New England. In 1685, Eliot and surviving collaborators assisted in a corrected second edition being published, again at the press of Samuel Green and with the assistance of John Printer. It is assumed about 2,000 second editions were produced; an unknown number of books exist today. A surviving copy of this edition is digitized at the Internet Archive.  The Salisbury House Library Collection leaf is page 449/450 in the digitized edition; it comes from the book of II Chronicles. 

The image at right shows the original title page of this edition; an English translation reads:

Image of an original title page from this print edition from the Internet Archive digitized copy.

The Whole Holy His-Bible God, both Old Testament and also New Testament. This turned by the-servant-of-Christ, who is called John Eliot. [Nahohtoeu ontchetoe Printeuoomuk.] 

Cambridge.  

Printed by Samuel Green.  MDCLXXXV (1685) 

Samuel Green was one of the earliest printers in the American colonies and was based in Cambridge, Massachusetts. James Printer worked in his print shop as a printer’s apprentice, then typesetter.  

The SHLC Leaf: What we don’t know

The origin of the SHLC leaf–including when or from whom it was purchased–remains unknown as this item doesn’t have corresponding provenance information. It is housed in a paper folder with mylar (a preservation safe film) window cover with a mount that appears to be the second or third instance of it being displayed as a single leaf. Book breaking, or separating pages from books for individual sale was common among book sellers during the Weeks family era of collecting. One of the most infamous ‘book-breakers’ or biblioclasts, as he called himself, was Otto Ege who would assemble portfolios for sale. Who sold this leaf–was it from Otto Ege himself? Where have other leaves from this copy gone? Who were past owners?

The language today

The historical Massachusett language recorded in the Eliot translation is also known as Natick or Wôpanâak and associated with the Wompanoag tribe today. With great losses to the population during the 17th century from epidemics, violence, relocation, and assimilation inflicted by colonization, the language has been an endangered or “sleeping language” for over a century with lack of native and fluent speakers and communities of youth learning the language. The Wôpanâak Language Reclamation Project (WLRP) began in the 1990s to revitalize the language and continues today. Learn more about the Wôpanâak Language Reclamation Project at www.wlrp.org or hear more about language reclamation from a March 2021 public radio highlight On Point. 

Visit the SHLC at Grinnell College

Sticky post

The Salisbury House Library Collection is open to research and visitors while it is being processed. See curated exhibits from the collection this fall in Burling Library Gallery and year round in the Magic Box in Burling Lobby anytime the library is open. Housed in Grinnell College Special Collections and Archives, visit us in the Reading Room (lower level Burling) for research anytime 1:30-5pm Monday – Friday or by appointment. To learn more about collection holdings and research inquiries, email the project archivist at archives@grinnell.edu. Research guides to support research during processing coming soon! 

Not sure what you’d like to see, but excited to see beyond the exhibit cases? Get in touch with us in advance and we can coordinate a visit for you or a small group to handle collection material in topics you are most interested in. Advance notice allows us to pull the material of most interest to you or some of the ‘greatest hits’.

Interested in bringing a class as an instructor? We are happy to plan a class visit to see SHLC material, learn about accessing and working with primary resources, and more. Sessions using Grinnell College Special Collections and Archives material and SHLC are welcome!

Get in touch! We look forward to introducing you to the Salisbury House Library Collection.

Exhibit announcement | Book Fool: Reading a Bibliophile’s Library

Book Fool: Reading a Bibliophile’s Library

is installed now in the Burling Library Gallery (lower level). The exhibit features the Salisbury House Library Collection material ranging from 1483 to the 1940s. Visit the gallery anytime during library open hours. Book worms, book fools, bibliophiles, and all lovers of books will find something to enjoy. Learn about the bibliophile who built the Salisbury House Library Collection, the range of material that calls it home, and how it came to Grinnell College Special Collections. 

Visit this fall exhibit during Burling Library’s open hours September – December 2021. Join us for a glimpse into the Salisbury House Library Collection and its exciting new chapter at Grinnell College. 

Kelmscott Press Day

This Saturday June 26, 2021 is International Kelmscott Press Day, marking the 130th anniversary of the founding of the prolific press and the 125th anniversary of the press’s most famous work: the Kelmscott Works of Geoffrey Chaucer. The Salisbury House Library Collection is home to volumes of Kelmscott Press and other of Morris’ contemporaries in the private press movement of the late 19th century. William Morris and Kelmscott Press were leaders of the arts and craft movement which challenged the mass production of the Industrial Revolution with an emphasis on aesthetics and beauty. Elements of the romantic era, medieval books, and appreciation of craftsmanship are prominent in their works. 

From Salisbury, 20 full Kelmscott volumes join Grinnell College rare book holdings to total 26 Kelmscott works, including 2 Kelmscott Chaucers! Completed in 1896, the Salisbury Chaucer is one of 40 bound by Doves Bindery. The white pigskin binding was designed by Morris. This copy also has signatures laid in from William Morris, illustrator Edward Burne-Jones, and engraver W.H. Hooper. 

You can learn more about William Morris and the Kelmscott Press and find digital events and projects from around the world to mark the anniversary online at The William Morris Society and learn more about the Kelmscott Chaucers around the world from the Updating the Kelmscott Chaucer project.

Tilting at windmills

The Second Part of the History of Valorous and Witty Knight-errant, Don Quixote of la Mancha.
Miguel Cervantes. 
London: Edward Blount. 1620. 
96.4633

Printed in 1620 as the second part of the story of Don Quixote, this book has had a life! Although the text block is sewn, it is not bound, laying in what first appears to be a leather case. Upon closer inspection, the wrapper is even more of a surprise—it is manuscript waste! (Learn more about recycled materials in historical book bindings) The sewing of the book is visible and through some segments of the text block, there appear to be thin wooden pegs. Blank pages at the back of the book have notes dated from the 1770s, but taking a closer look at the manuscript waste wrapper, at least four different hands are visible. Where in the world are copies of it’s sibling, Part One? We can’t wait to learn more about this book! 

Book bound-with mysteries

Volpone: or, the Fox 
Ben Johnson
London: T. Johnson. 1714 
97.4606

This book was gifted to Carl Weeks “in memory of Rotary [Club] friendship” from B.R. MacHatton. Within the simple leather binding are a few surprises—it is a bound-with (or sammelband) meaning multiple, disparate works were bound together. This was a common practice for historical books when items were bought directly from a printer; a number of titles of the same size could be collected over a number of years before going to a bindery, which makes for some interesting finds! A 1714 copy of the Ben Johnson play Volpone, or The Fox, is followed by a 1713 Discourse of Free Thinking, and a 1720 printing of  another play, The Siege of Damascus by John Hughes. And at page 55 of the second title, a pressed butterfly! How long this butterfly has been pressed in the pages remains a mystery. Can you help identify what type of butterfly it is? When this book visits a book conservator, we will remove the specimen to have it further examined and encased in preservation safe material to not cause any further damage to the book.

Image of open book, illustration of a classic scene and flower petal laid in, overlapping text.

Petals in the pages

Paging through a book during a preservation edit, you never quite know what you’ll find. A fun find this week: flower petals!

Pressed in the pages of a 1774 edition of The Pantheon, Representing the Fabulous Histories of the Heathen Gods … for the Use of Schools by Andrew Tooke, Laura (Project Archivist) discovered flower petals pressed into the pages. How long these petals have been pressed in the pages is hard to determine! Researching more about its history coming to Salisbury House–and if flower petals were laid in then–may tell us more. Did this flower come from the Salisbury House Garden?

 

Welcome to the Salisbury House Library Collection at Grinnell College Libraries online. Acquired in 2019, the collection is open for researchers and hosts books and manuscripts from the 12th century to the 1960s. The collection is being processed, but is fully open to researchers and visitors. For inquiries, please contact Grinnell College Special Collections and Archives staff.

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